EDUARDO CHILLIDA
20th Century Artists
Bath
Chillida's graphic work, like his sculpture, shows a preoccupation with form, space and framing. Martin van der Koelen has described Chillida’s main concern as “the concept of space and its determinedness by formed matter, the relation between emptiness, volume and their mutual limits”. Absence is therefore as important as presence. The balance of dualities in his work such as black-white, heaviness-lightness and emptiness-fullness give Chillida’s work a universal importance.
Harvard II
EDUARDO CHILLIDA
1977
Woodcut on Auvergne paper
Signed in pencil and numbered (Edition 50)
Plate: 18.1 x 14.9 cm
Sheet: 38 x 32 cm
Reference: Van der Koelen 77012
Published by: Harvard University, Massachusetts.
Printed by: Fequet et Baudier, Paris